A label between two names
The 2003 change from Hammerheart to Karmageddon was a practical reset, and the surviving record shows what carried across.
Read the storyKarmageddon Media was a brief but far-reaching chapter in the Dutch underground. This independent archive follows the records, connections and stories that remain.
A label catalog is more than logos and release dates. It is a map of rights, distribution, reissues and underground scenes crossing paths.
Karmageddon Media brought very different bands under one Dutch address. The connections deserve more than a search result.
The 2003 change from Hammerheart to Karmageddon was a practical reset, and the surviving record shows what carried across.
Read the storyThe Candlelight agreement mapped a North American route for new albums and reissues—and shows why an announcement is not the same as a release ledger.
Read the storyA reissue can introduce an album to a new audience while leaving the original version’s history intact.
Read the storyThe 2004 press trail preserves a stated ambition, three first signings and at least four releases reviewed under the imprint.
Read the storyAn Irish band in a Dutch label catalog opens a conversation about local identity and international circulation.
Read the storyThe 2003 deal brought new distribution to a group that had already released three albums through its own imprint.
Read the storyThe outline, with references in the stories.
The current label dates its origins to 1995.
Metal press reports a reorganisation under the Karmageddon Media name.
Candlelight secures North American licenses; New Aeon is announced as a sub-label.
New records and reissues connect scenes across several countries.